(H)As He Left Us?

Between the shadows of Berlin and the echoes of Syria, Rasha, a writer, reflects on the life and loss of her friend Hammodi, a queer activist. Blurring the line between what is lived and what is imagined; an exploration of friendship in exile and the traces we leave behind.

Based on real events, (H)AS He Left Us (?) is a Hybrid film, inspired by real events, exploring the profound aftermath of a tragedy in Berlin. A friend, Rasha, reflects on the final years of Hammodi’s life—a cherished companion, former queer Syrian activist, and political detainee—whose life was tragically cut short. As she navigates the immense void he left behind, the film offers a poetic exploration of enduring friendship and the arduous process of accepting an irreversible absence.

A Film by (Written, Directed, Produced): Sulaiman Abdullah
Cast:
Hammodi: Mustafa Kur
Rasha: Fatina Laila
Farah: Eman Dwagy
With the participation of Rasha Abbas
Director of Photography: Liam Morgan BVK
Line Producer, Green Consultant, DIT: M Jeronimo Hahn
Assistant Director: Abril Andrea Arnauda Appel
Gaffer: Elias Fritz
Lighting Technician: Hendrik Pörtner
1st AC: Nikita Znak, Ludwig Jager
2nd AC/Steadicam Assist: ShihTing Peng
2nd Unit Assistant Camera: Elie Chahine
Sound:
Sound Engineer: Mousa Alazzeh
2nd Unit Set Sound: David Arce
Post production:
Post production supervisor: Ahmed Alhaj (Wind Cinéma)
Editor: Samer Nouh
Audio Post-Production & Music: Burhan Khatib
Color grading: Chrystel Elias
Wind Cinéma Studio team
Karma Swearky, Reine-Marie Touma & Hanin Mlhem
Film Accountant: Majd Hafiry
Green Assistant: Agnieszka Bracka
Rental – Zodiac Film
Rental – MANUEL SCHAMBERGER CINEMATOGRAPHY
Rental – UFO Berlin
Song
“Those Forgotten on The Banks of Euphrates”
Composition: Dima Orsho
Singing: Dima Orsho & Valer Sabadus
Accompanied by Musica Alta Ripa & Friends:
Milad Khawam, Mevan Younes & Hogir Göregen
Directed by Danya Segal
Song
Hajrni Dabhni – ABO GABI
Support Media Platform‬ Rasseef22 / Editor in Chief: Ayman Sharrouf
Support  Goethe-Institut im Exil
Co-Producer: Logan Caster
Post-production Co-producer: Ahmed Alhaj (Wind Cinéma)
Production White Flux Productions

24

Minutes

2026

Release

Production

Germany
France

Bio – Filmography

Sualaiman Abdullah: is a Berlin-based film critic and scriptwriter whose creative work has been evolving since 2021, following his participation in several screenwriting workshops. He is currently working on bringing several stories to life on the big screen. “Has He Left Us?”, marks his debut as a director.

– (H) As he left us (?)- Short hybrid film- as screenwriter and director – 2026
-Fits a thousand friends – Short film, director Ghiath Mhithawi – as screenwriter – Financing. 2025
-It smells like past (WT) – feature film – as screenwriter – in development- 2023

Director’s Statement:

This film emerged from a personal and journalistic exploration of the psychological impact of exile on a generation of Syrian migrants in Germany. The rise of psychological struggle and the complexity of creating support networks in migrant communities with individuals at risk.

Hamoudi, a beloved young man whose passing left a profound shock in the Syrian community in Berlin, where I live. That memory became the spark that set this film in motion.
I was thankfully able to collect the testimonies of many of Hamoudi’s friends, but not on camera. Except for “Rasha”, a journalist and writer, who gathered her strength and bravely faced her grief in front of my lens. A courageous act, one that mirrors Hamoudi’s brave and adventurous spirit.
Through Rasha, we glimpse moments of raw vulnerability, revisiting spaces and moments that once belonged to their friendship, now reimagined through absence.
Cinematically, I wanted to blend fiction and documentary — to create a fictitious correspondence, inspired by real events, between Hammoudi and Rasha. Creating a dialogue between them after his passing, as his presence quietly lingers around her.
This hybrid form allowed me to reimagine Hamoudi’s final years through the lenses of his friends, tracing the uneasy distance that can grow between close companions. The film then shifts from fiction into documentary, capturing what remains of that friendship within Rasha, years after it has ended, imperfect, yet still alive.
The story of Hammoudi and his friends resonates with many souls who fled shattered Syria, carrying the weight of trauma as they must navigate a new reality. Some manage to revive the warmth of friendship they once knew at home. Others find themselves swallowed by solitude in a metropole like Berlin, where friendship takes on a different shape, quieter, lonelier, fragile and imperfect, yet still the most human act of survival.